This magnificent square, which started being built in the 13th century, is characterized by porched buildings on three sides. The gothic arches of Palatium Bladi on the western side. The portico of the Bentivoglio family's Palazzo del Podestà on the northern side. The portico of the Banchi, designed by Jacopo Barozzi (Il Vignola) and built from 1565, stands out on the eastern side. The portico of the Banchi is followed by that of the Hospital of Death, next to this is the portico of Archiginnasio, the seat of the university during the Counter-reformation years.
An enchanting sequence of porticoes from the late Middle Ages and the Renaissance runs along the two sides of Via Santo Stefano, in the square that dates back to the Middle Ages and is dominated by the religious complex of the same name. On the western side the portico of Palazzo Bolognini Amorini (no. 9-11) is followed at no. 13 by Casa Bianchi. Then the buildings which nowadays are known as “Case Tacconi”, with the striking triumphal arch-shaped facade of the late 15th century, at number 15, built according to models from Ferrara, followed by the front part of the houses that once belonged to the Beccadelli family, with peculiar spiral-shaped brick columns. On the eastern side of the square the beautiful Renaissance portico of palazzo Isolani, at no. 18, was built by Pagno di Lapo Portigiani, from Florence.
One of the most peculiar Renaissance porticoes in Bologna is that of the Conservatory of Putte del Baraccano: a wide loggia, built during the reign of the Bentivoglio family, consists of majestic stone columns whose shaft is decorated with an elegant moulded disc.
On Strada Maggiore, which runs along the route of the Via Emilia inside the city walls, there are some of the most characteristic examples of monumental porticoes of the whole town. The interesting wide portico that stretches along the northern side of Basilica di Santa Maria dei Servi was built from the second half of the 14th century and maybe designed by Antonio di Vincenzo. On the southern side of the street, at no. 19, the high wooden portico (higher than 9 metres) of Casa Isolani, restored in 1877, is one of the best preserved examples of a portico from the late Middle Ages. Another peculiar portico is that in front of the entrance of the Church of San Bartolomeo, near the two towers. It is located in a loggia of Palazzo Guastavillani. Its pillars have Renaissance sandstone decorations.
Only a few porched buildings, massively restored or largely rebuilt, of the medieval Foro dei Mercanti near Porta Ravegnana is left. The irregular space is dominated by Loggia della Mercanzia (1384), a masterpiece of late Gothic architecture, with a majestic portico with large groin vaults supported by cluster columns. On the wider part of the street the wooden porticoes of the Seracchioli houses, a stylistic reinvention of the past century (1928), give a Neo-Gothic style to the whole area.
Photo by Carlo Pelagalli
The porched buildings in via Zamboni used to be noble residences or religious structures and today they house university departments and other public institutions. Past the small San Donato square the neoclassical Palazzo Malvasia has elegant porches dating back to different ages. Then there are the late Renaissance porches of Palazzo Magnani, planned by Domenico Tibaldi, and the Tuscanic arches of the portico of Palazzo Malvezzi. On the opposite side of the street, past the majestic 16th century portico of Palazzo Malvezzi de Medici, the spans of the Renaissance portico of the church of San Giacomo Maggiore extend one after another. [...]
Photo by Adriana Verolla
The stretch of via Marsala between via Oberdan and via Piella is characterized by the wooden porticoes of Casa Grassi (which originally had a loggia twice as long as the current one) and of the opposite Boncompagni houses, a typical example of residential architecture of Bologna from the 13th century, adapted to the culture of the end of the 19th century.
With the opening of Via dell’ Indipendenza (1888), a new type of portico is introduced, mainly for commercial purposes. The new buildings that were designed for this road that connects Piazza Maggiore to the new railway station and for via Rizzoli and Ugo Bassi define modern spaces, and are different from the structures of more traditional porches, considered dangerous or unhealthy. Porches get higher and wider and their design is influenced by Neo-Renaissance or Neo-Gothic models, with floral decorations, as is the case with the portico of the Majani palace by Augusto Sezanne, at no. 4.
Photo by Di Grinza
In some areas of the city that expanded during the 14th century there are still long porticoes, well preserved and built according to monastic allotment plans. They are also to be found in the following streets: Mirasole, Tovaglie and Solferino, San Leonardo, Centotrecento and Santa Caterina.
In particular Via Santa Caterina is characterized by a portico architecture that is extremely simple, with no arches and with architraves, a functional solution for the production and artisan activities that were carried out there.
Outside Porta Saragozza, the portico of San Luca stretches along via Saragozza and via San Luca and was built between the 17th and the 18th century as a covered devotional route to the sanctuary of the Holy Virgin of San Luca, starting from the initial loggia (the so-called “Bonaccorsi arch”) that is placed on the borderline of the walled-up town. The portico, which is 3,796 metres long and is divided into 15 pilgrimage stations, was built in the second half of the 17th century (from 1764) and designed by Gian Giacomo Monti. It consists of two different parts: a flat part (1,520 m) and a hilly one (2,776 m, that was completed only in the early 18th century under the supervision of Giovanni Antonio Conti). The two parts are connected by the Meloncello arch, built by Carlo Francesco Dotti in 1732.